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The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. i can't imagine anyone enjoying this without knowing the source material as it stays very faithful to the play and yet never overwhelms the viewer with theatricality. Directed by Andrzej Wajda. Add the first question. But he loses her when he goes ... See full summary ». This list is the Letterboxd version of The Oxford History of World Cinema. Even after viewing it twice and doing research, it still lacks the impact for me that I feel it might have on a Polish citizen. Andrzej Wajda's gory film is guilty of two cardinal sins. In Wajda’s interpretation, the appearance of the ‘phantoms’ was justified by the hallucinogenic effects of vodka, which helped those scenes avoid excessive symbolism. Music: Stanisław Radwan. Three young friends, a ... See full summary ». The play by Wyspiański was based on a real-life event: the wedding of Lucjan Rydel at the St. Mary's Basilica in Kraków and his wedding reception in the village of Bronowice. Looking for some great streaming picks? Use the HTML below. I was happy and proud that I had managed to give such a convincing cinematic shape to a theatre play and that Elia Kazan was able to appreciate Stanislaw Wyspianski's brilliant drama so well. Show All… Wajda decided to bend this convention somewhat and create the atmosphere of an authentic, bustling wedding on the film set. 1973 In Poland, Stanislaw Wyspianski's verse play. Want to share IMDb's rating on your own site? Takes place in a prewar Poland. Movies based off books and literature, can be novels, novellas, short stories, plays, author biopics, etc. Keep track of everything you watch; tell your friends. A lengyel történelem beható ismerete híján (és értelmezési mankók nélkül, aminek oka persze a cenzúra kikerülése is lehetett) ez a mozi elsősorban izgalmas vizuális élményként érdekes, de annak tényleg nem semmi. Find the full review here: wp.me/p3waMl-Bf. At the turn of the century, Lodz, Poland was a quick-paced manufacturing center for textiles, replete with cutthroat industrialists and unsafe working conditions. Polish Cinema Database . The whole film plays during one night of a Polish wedding.Everything moves continually; first there are dancing and joy, then things starts to get surreal; hallucinations, memories and fantasies are blending in with the moving reality. In the end a call to arms is called but turns out to be a hoax. 46 (October 2014) by Moritz Pfeifer L ast month, I wrote a review about the final work of late Russian filmmaker Alksei German, Hard to Be a God , in which a group of scientists are sent to an earth-like planet which is stuck in the Middle Ages with the task to provoke a Renaissance there. The actors perform their versed exchanges in a fluent, natural fashion, managing to escape a dull literary tone. The overexcited groom doesn’t cease to declare his love for the Polish countryside, but nevertheless the harmony of the microcosm portrayed in The Wedding is merely superficial. The Wedding kan verwijzen naar: . TMDb Raymond Lefévre The action of Wyspiański’s play takes place entirely inside of a country cottage, and the characters communicate in verse. The ceremony itself takes up a solid two-thirds of this rambunctious, wild and reckless movie. (...) This is Poland exposed in its contradictions. Almost all of the fragile dialogues in The Wedding drown in deafening dance music and in the screams of the drunken mob. If one organised some kind of general hearing, only a few writers and artists could refute the accusation of stealing from The Wedding, such an vital part of Polish national awareness has this work become. The guests include, among others: a distinguished poet (Andrzej Łapicki), a conservative journalist (Wojciech Pszoniak), a brawling peasant, Czepiec (Franciszek Pieczka), an alienated Jewish lady Rachela (Maja Komorowska), and the host – an artist who settled down in the countryside (Marek Walczewski). It was inspired in part also by the modernist painting of Jacek Malczewski and Maksymilian Gierymski. kapela, i raz, i dwa, i trzy, bawimy się, jak wesele, to wesele... Ale Wajda dobrze rozumie Wyspiańskiego... it would be 2/10 but i was high again and it made it slightly less insufferable, Jayce Fryman 18,694 films 2,869 99 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. The celebration of the new marriage moves on from the city to the villager's house. Written by At this point, Wyspiański abandons the quasi-realist convention and conjures a phantasmagorical world, inhabited by allegorical figures and spirits. What he needed were blood and folklore, so to ensure that there was enough space for these two elements, he chopped up the most beautiful verses of our national poetry with a peasant scythe. Film data from TMDb. Director Andrezj Wajda adapted Poland’s most famous play by Stanisław Wyspiański for a surreal look at Poland past and present. The wedding banquet room in Wajda's film is confined and stuffy, the vestibule is narrow, the yard - muddy and indistinct; in the stable, the Host's unfinished paintings lie haphazardly thrown next to farm equipment. The most challenging part of this endeavour was to overcome the theatrical character of the original. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division under Russia, Prussia, and Austria. Recs welcome! More details at We are surprised and happy that at the age of forty-seven Wajda remains the most outstanding Polish film director. Directed by Andrzej Wajda. The intelligentsia of that time has been shown as a gang of buffoons who unable to act, have some sort of drunken visions. By means of this intervention, the authors of the film reference a national revolution that was not even predicted by Wyspiański in 1900, and add a tinge of optimism to the critical portrait of society. Andrzej Wajda’s The Wedding (Wesele, 1973) Vol. View production, box office, & company info. However, who attends the ceremony is symbolic, as every conceivable symbol of Polish history and present makes an appearance: ghosts, devils, maidens, soldiers,…. (...) The Wedding shows several peasants, several writers, several councillor's wives - and suddenly it turns out to be the most important thing that was written about Poland in Polish. He gets involved with ... See full summary ». The plot is set at the wedding of a member of Kraków intelligentsia (the Bridegroom, played by Daniel Olbrychski), and his peasant Bride (played by Ewa Ziętek). The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division under Russia, Prussia, and Austria. It describes the perils of the national drive toward self-determination after the Polish uprisings of November 1830 and January 1863, the result of the Partitions of Poland. Stanislaw Wyspianski's drama Wesele is available at the Merlin bookstore, Copyright © 2000–2011 Prószyński Media sp. Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. A poet marries a peasant girl in Kraków. Directed by Andrzej Wajda. The Poet (played by Andrzej Łapicki) is visited successively by the Black Knight, a symbol of the nation's past military glory; the Journalist (played by Wojciech Pszoniak), then by the court jester and conservative political sage Stańczyk; and the Ghost of Wernyhora (Marek Walczewski), a paradigm of leadership for Poland. (...) At first glance, it deals with an atmosphere of happiness in which the camera participates without restraint. Was this review helpful to you? Krzysztof T. Toeplitz "Miesiecznik Literacki", Warsaw, January, 1973. Wesele, from Stanisław Wyspiański’s play, takes place around 1900. A young doctor is tired of being sought by women. The major topic of conversation at the wedding celebration in Andrzej Wajda’s film, following, I presume, Wyspiański’s play, is Polish history: a century of division and oppression… The two groups gradually begin a series of dialogues. The autumnal, grey landscape evokes an aura of stagnation and hopelessness, while the image of the training Austrian soldiers represents the tragic history of Poland. With Marek Walczewski, Izabella Olszewska, Ewa Zietek, Daniel Olbrychski. First act is so unlike for Wajda and I believe it holds up stronger than the rest of the film. (10/8 - od). We already have this email. Screenplay: Andrzej Kijowski. If "Climax" were taking place in XIX century Poland, that's how it would be presented. It is made with passion and great aritistic vision like a colourful painting. Can we win freedom for ourselves and for future generations? And this material reality breaks through theatrical convention. © Letterboxd Limited. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria.

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