Elegant, historical interiors. platoon goes to maim and plunder… yet only one soldier is slapped with court martial charges. More details at Experimental, terrifying (not in the typical way) and in some ways kind of beautiful. the orgy scene in particular and its connection to drugs, AIDS and genocide simultaneously has a similar ferociousness and psychological heat to it... an entire country trying to gets it fix until we're all culpable. By what seems happenstance she meets another vampire in Christopher Walken…, Yep, that's Edith! It is a piece of art that relies wholly on tone and atmosphere. Thanks for reviewing. We shoot in the street. The Addiction is a neat arthouse vampire film, where vampirism is a metaphor for drug addiction (and humanity's tendency to sin). Atmospheric in a way that combines the dark 80's comic book feeling of typical Ferrera grime with an intensely gothic undercurrent. Two businessmen are hired to steal secrets from a rival, and decide to use a beautiful call girl to do so. Choose an adventure below and discover your next favorite movie or TV show. I watched the Arrow blu-ray release tonight and WOW. Despite (or because) of all those tropes and especially all the unsubtle allegories, it is not really clear if this film aims to have a message, or what that message could be. Who would even come up with that? Apart from the acting, the film’s greatest strength lies in its visual aesthetics: the black&white approach, the use of light and shadow, the long, lingering shots on Kathleen’s face, and the many body-horror elements. A philosophy major is attacked one night, by a vampire while travelling the murky streets of despondent New York City. Puts a new sheen on Ferrara’s classic New York grime. anyone read the manga 'happiness'? Lili Taylor is great and there are a couple of really standout scenes. And Christopher Walken (Peina), who shows up relatively late, delivers an absolute tour de force in weirdness. Ótimo texto do Rafael Dornellas sobre a obra do Ferrara nos anos 1990. And the more she changes, the more her voice changes: it becomes deeper, huskier, and less audible. THE ADDICTION seems to contain every vampire film made before and after it, ground together in boho poetry as Lili Taylor's graduate student morphs into a hepcat underground woman, her smoky, deadpan voice shot through with more conviction of the deluded addict than her philosophical arguments put forward. As I said, nothing in this film is intended to mean much in terms of plot. Change ), You are commenting using your Google account. Addiction metaphor. The way it portrays addiction with vampirism and religion, I’m honestly in awe. Film data from TMDb. You think I'm directing these people? Step Two: Pick a Number. A man who handles billions of dollars every day. "Existence is the search for a relief from our habits, and our habits are the only relief.". Fetid, rancidly present city streets. Title: I really hated this movie. Ferrara, you got my number or what? New York City is seen as a connecting station between elegant, modern interiors; souls on the street either in passing or in crumbling stasis. You must be a registered user to use the IMDb rating plugin. (1995). How can you single out one man? Change ), You are commenting using your Facebook account. It’s like if that annoying kid in your intro to Philosophy class got bitten by a vampire. OB-GYN Kenobi 3,804 films 7,203 106 Edit, Step One: Go to www.random.org. An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill. Abel didn’t dress sets or hire extras or fuss…. Buoyed by nihilistic philosophizing, and orchestrated with sardonic reproach, eviscerating typical genre ethics, The Addiction is a vampire flick unlike any other. TMDb Unfortunately, my British DVD release does not offer any subtitles, so I had to rewind many a scene several times in order to understand what was being said. It's beautiful, engaging, exciting, funny, and philosophically complex. Hunger/thirst, sensitivity to sunlight, and covered mirrors are some of the traditional tropes that hint at vampirism. The Addiction is the brain-child of the notorious creative duo Nicholas St. John and Abel Ferrara. But this movie is a little pokey for me, and doesn’t always feel like it can support the weight of its philosophical musings. Are you ready…. IMDb credits) it is well worth giving it a try, if only for Taylor’s performance and a glimpse of Walken’s brilliant insanity. Report this film, Moral relativism. The Addiction is a neat arthouse vampire film, where vampirism is a metaphor for drug addiction (and humanity's tendency to sin). Forget 'em loud BOO-ing jump scares ‘cause these deliberate-cooked horrors/thrillers will burn you up. ", "There ain't no fuckin' extras. * *Nobody cares if you don't think…. Catholic absolution. The Virgin Mary delivers a message to an 11-year-old girl. There are a number of oppositions: spirituality &/vs materialism, geometric force &/vs graceful movement, and predominately assertion &/vs inquiry. From "Veronica Mars" to Rebecca take a look back at the career of Armie Hammer on and off the screen. Use the HTML below. Soprano fans, please check this out to see Edie Falco, Micheal Imperioli, and Annabella Sciorra. A New York philosophy grad student turns into a vampire after getting bitten by one, and then tries to come to terms with her new lifestyle and frequent craving for human blood. A nation's historic guilt weighs its citizens down eternally, succumbing them to a crisis of faith. The best part of this film was a cameo of Christopher Walken in which he answers the age old question of whether vampires defecate. The urban setting and the opening sequence against the foreboding grittiness of New York, how you know Ferrara is a New Yorker, and the booming Cypress Hill track is Jarmusch inverted -- the cityspace isn't this exciting, artistic playground for weirdos, but some frightening vortex for human sin. Want to share IMDb's rating on your own site? Being on a semi-inadvertent Annabella Sciorra binge, I wanted to see this for the first time, liking or loving every Abel Ferrara joint I've seen so far. "The entire world's a graveyard, and we, the birds of prey picking at the bones. - Abel Ferrara, A series of combinations of iconographies: vampirism, drug addiction, AIDS, academia, determinism, guilt and guilt in absentia. Nicolas St. John's intriguing philosophical screenplay and Ken Kelsch's gorgeous black and white photography (creating a world solely of light and dark, which is a key element in the plot), are not to be overlooked either.Call it pretentious for the philosophy references (Sarte, Nietzche...) if you want, but this highly intelligent and disturbing low-budgeter is one of the most accomplished and well-thought out horror films I've ever seen. Throwin’ hot sauce on that shit.”, Most importantly, this commentary inspired me to use what you have when filming. reminded me of that. “To face what we are in the end, we stand before the light and our true nature is revealed. ( Log Out / It is about a philosophy grad student who tries to cope with her new lifestyle and constant craving for blood after being bitten by a gorgeous female vampire. Some of the *great* quotes from Abel on the new blu-ray commentary: "There he is right there, Russell" (after Russell Simmons' credit), "Yeah, these are all the old favorites..." (just watching the credits), "We had to do one black and white film, man.
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