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© Letterboxd Limited. In fact, the story is told through a…. But most of the pressure here is on Gerard. Very beautiful, and quite eerily mad. Producers: Christophe Alender, David Grove Churchill Viste This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Von dieser Frau wird man mit Sicherheit noch hören. It looks great, it makes great use of a non-linear narrative. Slow burn non linear horror western jam with an emphasis on sloooow. by It’s not just about pinpointing the evil and defeating it; we get to see how Lizzy chooses to manage her relationship with Isaac, when she opts to step up and take control, and also fall pray to the madness that comes from his lack of support and the present threat that’s right outside her door. The Wind is a fantastic addition to the slow burning, mind bending, brooding and atmospheric horror sub-genre that we’re lucky enough to be getting more and more of these days. The Wind is a horror/western. What piqued my interest in the Wind is that it takes a well-explored subject area and injects it with a horror element. Gerard really nails every single beat of Lizzy’s journey, so it’s unfortunate that the structure of her story winds up unraveling as it progresses. As that becomes increasingly difficult, especially for someone so alone, there’s nothing to protect her from the demons lurking out there in the wilderness, or somewhere inside her. Along the lines of Hagazusah, Gretel and Hansel, and The Witch. This list is for scripts or source material written or co-written by women. "The Wind Rises" is a mild anti-war film (in an early scene, when Jiro beats up a school bully, his mother scolds him saying, "Fighting is never justified. Directed by Emma Tammi, this is her first narrative film, coming from documentary filmmaking. Film data from TMDb. Tammi, who directed a handful of shorts and TV docs, uses razor-sharp cutting (by editor Alexandra Amick) and throbbing audio effects (by sound designer Matt Davies) to keep us on the edge of our seats. Das schaffen nicht viele Filme. The Wind may be a quick, immersive thrill that stops short of making a lasting impression but hopefully it’ll have a lasting effect by putting Gerard, Telles and Tammi more firmly on the map. I can handle the truth. IMDb She’s known there’s something wrong with the land, but Isaac doesn’t believe her and refuses to budge on the issue, and this issue is expertly woven into the horror component of the story. baddies were real, which is a huge flaw imo. Stimmungsvoller Grusler, der die unheimliche Wirkung von The VVitch in den Wilden Westen verlegt, ohne die Thematik zu kopieren. Check out Perri Nemiroff's review from TIFF 2018. Having seen it, I can say the movie somewhat met my expectations. I think this is one of my fav October watches this year. Forget 'em loud BOO-ing jump scares ‘cause these deliberate-cooked horrors/thrillers will burn you up. A supernatural thriller set in the Western frontier of the late 1800s, The Wind stars Caitlin Gerard as a plains-woman driven mad by the harshness and isolation of the untamed land. Production designers: Hillary Andujar, Courtney Andujar Atmosphere describes this best - it's a very atmospheric western horror, grounded very much in realism. A popular crime novelist moves to a historic Greek village during the off-season in order to write her next book, but gets more than she bargained for when she strongly suspects a … I wasn't really enamored with the score (except the cut over the credits, that one has some bite). Nonetheless, it’s refreshing to see such an original stab at this type of indie genre-bender, especially one told from a strictly female point of view. | Cookie Settings. Telles is another standout as Emma, which is mighty refreshing after the disastrous Slender Man. The Toronto International Film Festival (TIFF, stylized as tiff) is one of the largest publicly attended film festivals in the…, there is no ranking to these films. To break a mind, only scares will not work. In short, The Wind follows two married couples (Elisabeth and Isaac; Emma and Gideon) who live in isolation in the prairie, at the beginning of the 1800s. About Our Ads The setting is great and it captures some unsettling atmosphere, but the full blown horror elements come on strong in cheesy way that isn't liable to stick with you. Written by Teresa Sutherland and directed by Emma Tammi, The Wind can be described as a slow-burning psychological thriller that will have you guessing what’s going on beneath the surface. Lizzy Macklin (Caitlin Gerard) and her husband Isaac (Ashley Zukerman) live alone in the wilderness of the old west frontier.Isolated by a great distance from anything resembling civilisation they are joined on the prairie by new neighbours the awkward and incapable Gideon Harper(Dylan McTee) and his blushing young wife Emma (Julia Goldani Telles).Struggling with their remoteness from society as well as her underwhelming husband Emma begins to indulge the fantasies of the despair induced by the many works of fiction within her book collection and is convinced the land is cursed and that people don't belong in this corner of the world. Step Two: Pick a Number. Elizabeth "Bitsie" Tulloch Joins the Arrowverse Crossover Special as Lois Lane, ‘White Boy Rick’: Matthew McConaughey and Director Yann Demange on the Importance…. Caitlin Gerard(Lizzy Macklin) is isolated on her own for many portions of the movie, which she handles very well.Some bits are sadly unintentionally funny I felt, a example of this is when Lizzy(Gerard) shouts out "what do you want now" I found that funny for some reason I think it was the way she said it, and another example is the goat giving Lizzy the death stare.The film builds up tension rather nicely. No, not every movie needs a life changing message or a breakdown of the basics of its demon, but in this case, it feels as though Tammi is trying to get at something important by way of the horror genre and then leaves you just out of reach of it. * *Nobody cares if you don't think…. This review may contain spoilers. Executive producers: Adam Hendricks, Greg Gilreath, John Lang, Zac Locke, Henry Jacobson, David A. Smith, Emma Tammi Cinematographer Lyn Moncrief crafts some downright stunning visuals that beautifully capture both the quaint charm and danger of frontier living. A list that is trying to contain every horror film made that is not lost and is found on the…, Check out the official top 100 narrative feature films by women directors list, OB-GYN Kenobi 3,804 films 7,206 106 Edit, Step One: Go to www.random.org. FACEBOOK The Wind is well shot, edited, features solid performances, and assured direction—utilizing its atmos effectively for short bursts amongst the burn before almost coming together fully in the final act. From there, it's only a matter of time for a tragedy to happen. Also note that dead humans are featured as well. Sitemap | It isn't a bad first effort, but hopefully the next will be better. Recs welcome! Denn wo jene anfänglich noch einen gewissen Reiz ausmachen, wird es mit zunehmender Laufzeit doch immer beschwerlicher, dieser Struktur zu folgen. Gunshots, screams, sharp notes, thunder. Das führte u.a. Report this film. Such care is put into every shot of this Halloween month surprise The Wind (2018), an unsettling western horror drama.Perfect to watch alone at night, with only the eerie sounds of the wind coming from a desolate prairie and the occasional devilish violin from Ben Lovett's very effective score. That’s no a bad thing if you’re into that, and I am, but be forewarned. If you don’t, I seriously wouldn’t bother.…. Westerns are not my thing. Totally creepy. TMDb But even then, The Wind shows off a level of care and craftsmanship that suggests that Tammi is a director well worth keeping an eye on. SYNOPSIS: Kun seems … Flashbacks reveal that Lizzy and Isaac were not entirely alone at one point, with a pair of young and eager newlyweds — the porcelain doll-like Emma (Julia Goldani Telles) and her husband, Gideon (Dylan McTee) — moving in across the valley and introducing some tension, sexual or otherwise, between the two couples. A femme-centric Western and supernatural horror flick all rolled into one log cabin in the middle of nowhere, The Wind marks an admirable if somewhat, er, overblown feature debut from screenwriter Teresa Sutherland and director Emma Tammi. Striding Into the Wind, 2020. don’t say i didn’t warn you! That's how a professional demon acts.First it isolates the weakest person, hides itself from the eyes of others and then carefully strikes the victim's feelings with terrifying lies and images that shatter her mind to the point of making her commit a crime. Are they really alone there or is there, perhaps, an evil entity messing up with them and especially with Elisabeth? A pretty chilling horror-western based on true accounts of women losing their minds on the prairie. The Wind is a crossover between western and horror, this is one of those movies where you’d better go in knowing as little as possible about the plot, hence why this review will be spoiler-free. the atmosphere in this film alone is enough to haunt your dreams, while undoubtedly having thorough character development, beautiful cinematography, a solid plot, and assuredly spine tingling and bone chilling horror sequences/scares. COLLIDER participates in various affiliate marketing programs, which means COLLIDER gets paid commissions on purchases made through our links to retailer sites. It feels very by the numbers and familiar, with the most notable element being the jumbled continuity (which really isn't a plus, just a frustration). Auch in puncto Suspense zieht The Wind im Vergleich mit The VVitch den Kürzeren, allerdings gelingt es Emma Tammi, die spärlich eingesetzten Schocker sehr klug zu platzieren. ""A little funny.""Funny?""Nervous.". Mobile site. Caitlin Gerard Ashley Zukerman Julia Goldani Telles Miles Anderson Dylan McTee Martin Patterson, Adam Hendricks Christopher Alender John H. Lang David A. Smith Greg Gilreath Henry Jacobson David Grove Churchill Viste Zac Locke, Divide / Conquer Soapbox Films Mind Hive Films IFC Midnight, 86 mins   It all adds to an already tense and dreadful atmosphere. Composer: Ben Lovett In fact, I actually really like some of the recent "contemporary westerns" inspired by their period predecessors. Gerard made a strong impression earlier this year in Insidious: The Last Key, but her work in The Wind is undeniable proof that she can and deserves to carry more films. Cast: Caitlin Gerard, Julia Goldani Telles, Ashley Zukerman, Miles Anderson, Dylan McTee Director of photography: Lyn Moncrief

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